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Routledge Studies in Tantric Traditions: Tantric Buddhist Practice in India : Vilsavajra's Commentary on the Mañjur-Nmasagti TXT, FB2

9781138650930


1138650935
Using a commentary on the influential text, the Manju r -n masa g ti, The Chanting of the Names of Manju r, this book deals with Buddhist tantric meditation practice and its doctrinal context in early-medieval India. The commentary was written by the 8th-9th century Indian tantric scholar Vil savajra, and the book contains a translation of the first five chapters. The translation is extensively annotated, and accompanied by introductions as well as a critical edition of the Sanskrit text based on eight Sanskrit manuscripts and two blockprint editions of the commentary s Tibetan translation. The commentary interprets its root text within an elaborate framework of tantric visualisation and meditation that is based on an expanded form of the Buddhist Yoga Tantra mandala, the Vajradh tu-ma ala. At its heart is the figure of Manju r, no longer the familiar bodhisattva of wisdom, but now the embodiment of the awakened non-dual gnosis that underlies all Buddhas as well their activity in the cosmos. The book contributes to our understanding of the history of Indian tantric Buddhism in a period of significant change and innovation. With its extensively annotated translation and lengthy introductions the book is designed to appeal not only to professional scholars and research students but also to contemporary Buddhists.", Using a commentary on the influential text, the Mañjur-nmasagti, 'The Chanting of the Names of Mañjur', this book deals with Buddhist tantric meditation practice and its doctrinal context in early-medieval India. The commentary was written by the 8th-9th century Indian tantric scholar Vilsavajra, and the book contains a translation of the first five chapters. The translation is extensively annotated, and accompanied by introductions as well as a critical edition of the Sanskrit text based on eight Sanskrit manuscripts and two blockprint editions of the commentary's Tibetan translation. The commentary interprets its root text within an elaborate framework of tantric visualisation and meditation that is based on an expanded form of the Buddhist Yoga Tantra mandala, the Vajradhtu-maala. At its heart is the figure of Mañjur, no longer the familiar bodhisattva of wisdom, but now the embodiment of the awakened non-dual gnosis that underlies all Buddhas as well their activity in the cosmos. The book contributes to our understanding of the history of Indian tantric Buddhism in a period of significant change and innovation. With its extensively annotated translation and lengthy introductions the book is designed to appeal not only to professional scholars and research students but also to contemporary Buddhists., Using a commentary on the influential text, the MañjuÅ>rÄ«-nÄmasaá¹fgÄ«ti, 'The Chanting of the Names of MañjuÅ>rÄ«', this book deals with Buddhist tantric meditation practice and its doctrinal context in early-medieval India. The commentary was written by the 8th-9th century Indian tantric scholar VilÄsavajra, and the book contains a translation of the first five chapters. The translation is extensively annotated, and accompanied by introductions as well as a critical edition of the Sanskrit text based on eight Sanskrit manuscripts and two blockprint editions of the commentary's Tibetan translation. The commentary interprets its root text within an elaborate framework of tantric visualisation and meditation that is based on an expanded form of the Buddhist Yoga Tantra mandala, the VajradhÄtu-maá¹++ážala. At its heart is the figure of MañjuÅ>rÄ«, no longer the familiar bodhisattva of wisdom, but now the embodiment of the awakened non-dual gnosis that underlies all Buddhas as well their activity in the cosmos. The book contributes to our understanding of the history of Indian tantric Buddhism in a period of significant change and innovation. With its extensively annotated translation and lengthy introductions the book is designed to appeal not only to professional scholars and research students but also to contemporary Buddhists.

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Things that seem mystifying, puzzling, or obscure will take on tremendous meaning when you view them in their ancient context.Identifying important and recurring themes in this body of art, such as the persistence of Emersonian values, the search for national and regional identity, aspects of alienation, and the loss of individuality, he also explores the personal and religious identities of artists as revealed in their works.Eventually, younger intellectuals-who had grown up reading his translations-turned on Lin Shu and tarred him as a symbol of backward conservatism.Franquin had intended to work with stylized silhouettes, but his obsessive doodler's nature overpowered him and resulted in an utterly unique look that he himself once complained looked like his regular style "covered in soot.") Franquin may have been hanging on by his fingernails, but his graphic mastery was undimmed, and the bracing despair, hopelessness and misanthropy he laid down onto the paper evidently helped him survive many a bleak day and night.This book will provide you with everything you need to understand bias, talk about it with increased fluency, and overcome it so you can build stronger relationships.K. Lee s "New York Times "bestselling debut, "The Piano Teacher," was called immensely satisfying by "People, " intensely readable by "O, The Oprah Magazine, " and a rare and exquisite story by Elizabeth Gilbert.Fantagraphics is proud to present the complete Idees Noires collection (under the title Franquin s Last Laugh), with a new translation and introduction by editor Kim Thompson., André Franquin, the creator of arguably the greatest Franco-Belgian gag strip of all time (Gaston Lagaffe) and the custodian, for close to a quarter century, of the second greatest Franco-Belgian comedy-adventure strip (Spirou, behind the untouchable Tintin), was also a moody guy who suffered from crushing bouts of depression.All the scriptures have been updated to the new NIV 2011 version."The late Bruce Karl Braswell worked on Pindar for decades.The commentary is published in two volumes: Ian Mueller's previous book in the series, Simplicius: On Aristotle On the Heavens 1.2-3 , and this book on 1.3-4.The source texts for his exegesis appear as an appendix to the study.Drawing on the best texts available, each volume contains a generous selection from the writings--prose, poetry, letters--to provide the fullest possible introduction to that writer's work and thought.The three-part poem is a highly individual rendition of the ancient epic, and instead of celebrating masculine heroism it laments the suffering of women caught in the play of male ego.Teasing out an elegant vision of the cosmos as ever-changing yet harmonious, Hinton reveals the seed from which Chinese philosophy, poetry, and painting grew.And, overarchingly, there is the matter of Arnold's attitude to his own gifts as a poet: Why did he so early on abandon the poetic life and settle for three decades of drudgery as an inspector of elementary schools?Despite his status as one of the first modernists, much of Mallarmé's radicalism has been lost in translation.